Jan. 14, 2020
In the first half of the 20th century, a steady stream of adaptations made it seem like every generation would have a version of Louisa May Alcott’s novel LITTLE WOMEN to call their own. Then the film adaptations just… stopped, until 1994’s Gillian Armstrong-directed version starring Winona Ryder as Jo became a hit, and set the stage for the latest cinematic iteration of the March sisters, courtesy of Greta Gerwig. In this first half of our LITTLE WOMEN double feature, we dig into the cozy confines of Armstrong’s version to discuss what makes it a quintessentially ‘90s version of the tale, the efficacy of Claire Danes’ iconic cry face, and whether the choice to double-cast Amy at two different ages helps or hinders the film’s navigation of its trickiest romantic relationship. Plus, we tackle some long-tail feedback letters on the respective roles of commercialization and violence in film, inspired by past episodes. Please share your comments, thoughts, and questions about any and all LITTLE WOMEN, or anything else in the world of film, by sending an email to [email protected], or leaving a short voicemail at (773) 234-9730. Outro music: “Sisters,” from WHITE CHRISTMAS Learn more about your ad choices. Visit megaphone.fm/adchoices
