March 27, 2020
Taking place over the course of a single summer weekend, Real Life chronicles the life of Wallace, a young black graduate student studying biochemistry at a Midwest university. While navigating racial, class, and sexual tensions in his lab—as well as his friend community, with whom he feels both love and alienation—Wallace questions whether he should leave his program. When a tentative friendship transforms into a deeper connection, however, Wallace finds himself confronting the horrific trauma of his past, and wrestling with the challenge of building a new life while carrying such painful wounds. Told in poignant, heart-stopping sentences, the novel vividly immerses the reader into the insular world of graduate school—full of competitive lab sessions, sexually tense dinner parties, and complicated love triangles.
Like André Aciman or Alan Hollinghurst, Brandon Taylor depicts a story of sexual turmoil with beautiful intensity and rawness. Wallace’s story is one that is at times agonizingly intimate, and yet so fully human and resonant. Through absorbing narrative and richly drawn characters, Taylor forces readers to face the legacy of trauma, how it connects and isolates us from one another; to sit with uncomfortable but necessary questions around race, privilege and white fragility; and the differences that radically affect our experience in the world. As the title suggests, Real Life also reexamines the conventional metrics of success in America, asking how one is meant to live in a system designed to suppress. How are we to rescue one another from suffering, to heal from damage, without forsaking our identities? And is it truly possible to live a life that is honest and dignified—that coexists with pain and love, productivity and pleasure, community and self-realization—a life, in other words, that is real?
Taylor is in conversation with Miles Klee, MEL’s resident tank-top dirtbag, shitposter and meme expert.
