March 2, 2007
Recently, several Hollywood films, including HOLLYWOODLAND, have revisited traumatic events of the 1940's and 1950's. This new film cycle begs several questions--chief among them, why do the malaise and murder of the postwar years resonate with filmmakers today, and do these films share characteristics that allow us to speak of an emerging film style? Clute and Edwards maintain there are significant differences lurking behind the apparent similarities, and such differences call for more nuanced terminology than the blanket moniker "neo-noir." They propose the tripartite nomenclature of noir-style, neo-noir, and faux-noir, and argue that HOLLYWOODLAND is a superlative example of neo-noir: it tells a throw-back, hard-boiled tale in a new visual style. While Allen Coulter's direction is key to crafting this new look of noir, the acting of a strong ensemble cast is crucial to conveying the heartache caused by the suspicious death of actor George Reeves--TV's Superman. A must-see film for casual fans of classic noir, and serious students of its evolution. This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com.